Abstract
Maghrebian literature written in French has been since its inception a literature of and about the abyss. For the Maghrebian the abyss is esentially the space of modernity, that forbidden citadel of art, science and technology from which s/he was excluded and marginalized. Recently, writing of/in French has become the site/scene of a polemos between the archaic (identity) and the post-modern (difference).
Our study of the archaic focuses on cultural, literary and critical knowledge and centers around two main themes: that of a beginning, that is a search for events in the past that explain the abyss (or retardation vis-à-vis the West), and that of an excavation, mainly of the collective unconscious, through the revamping of traditional and oral materials. On the other hand, the post-modern is not only that "moment" of delegitimization of modernity, as expounded by J.-F. Lyotard and other social theorists of post-modern knowledge; it is also a project, an esthetics and a theory to be, an epistemology of the future. In short, Maghrebian literature written in French, because it makes use of the Other's alphabet, is faced with a formidable challenge: can/will the alliance of the archaic and the post-modern bridge the abyss of modernity?
Keywords:
- Keyword: Maghrebian literature
- Keyword: french
- Keyword: abyss
- Keyword: modernity
- Keyword: art
- Keyword: science
- Keyword: technology
- Keyword: marginalization
- Keyword: polemos
- Keyword: archaic
- Keyword: identity
- Keyword: post-modern
- Keyword: difference
How to Cite:
Abdel-Jaouad, H., (1991) “The Dialectics of the Archaic and the Post-Modern in Maghrebian Literature Written in French”, Studies in 20th & 21st Century Literature 15(1). doi: https://doi.org/10.4148/2334-4415.1265
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