Abstract
Frequent references to musical terms in Barthes's writings since 1970 suggest a progression beyond a standard semiological inquiry. A text on the «grain» of the voice, another on música practica, and a third on Romantic song develop a model of figuration Barthes explores actively in the Fragments d'un discours amoureux (A Lover's Discourse) and La Chambre claire.
Keywords:
- Keyword: music
- Keyword: musical terms
- Keyword: Barthes
- Keyword: voice
- Keyword: grain of the voice
- Keyword: grain
- Keyword: música practica
- Keyword: Romantic song
- Keyword: Fragments d'un discours amoureux
- Keyword: A Lover's Discourse
- Keyword: La Chambre claire
How to Cite:
Ungar, S., (1981) “A Musical Note”, Studies in 20th & 21st Century Literature 5(2). doi: https://doi.org/10.4148/2334-4415.1108
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