Volume 42 • Issue 2 • 2018


Introductory Materials

STTCL Editorial Board

Volume 42 • Issue 2 • 2018

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Volume 42 • Issue 2 • 2018

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Volume 42 • Issue 2 • 2018

Articles

The Anti-Orpheus: Queering Myth in Ducastel et Martineau’s Théo et Hugo dans le même bateau (Paris 05:59)

Todd W. Reeser

Volume 42 • Issue 2 • 2018

Performing Editorial Authority in Ingo Schulze’s Epistolary Novel Neue Leben

Anita Lukic

Volume 42 • Issue 2 • 2018

Experimental Writing, Experimental Reading

Warren Motte

Volume 42 • Issue 2 • 2018

The Ethics of Citation in Patrick Modiano’s Dora Bruder and Georges Perec’s W ou le souvenir d’enfance

Roderick Cooke

Volume 42 • Issue 2 • 2018

Reframing Jewish Forms of Speaking to God: The Use of Apostrophe in David Rosenmann-Taub’s Cortejo y epinicio

Raelene C Wyse

Volume 42 • Issue 2 • 2018

Alternate Facts and Reality Effects in Antoine Bello’s Roman américain

Jennifer Willging

Volume 42 • Issue 2 • 2018

Clandestine Migration and the Politics of Form in Nicole Caligaris’s Les Samothraces

Oana Sabo

Volume 42 • Issue 2 • 2018

Addressing Diversity and Difference in Contemporary Spanish Lesbian Literature: Reading Illy Nes’s El lago rosa and Cristina Cuesta’s “Zoe y Haydee”

Megan Sheldon

Volume 42 • Issue 2 • 2018

Book Reviews

Andrea Goulet. Legacies of the Rue Morgue: Science, Space, and Crime Fiction in France. Philadelphia: U of Pennsylvania P, 2016.

Kelsey B. Madsen

Volume 42 • Issue 2 • 2018

Jarrod Hayes. Queer Roots for the Diaspora: Ghosts in the Family Tree. Ann Arbor: U of Michigan P, 2016.

Annie de Saussure

Volume 42 • Issue 2 • 2018

Denis Provencher. Queer Maghrebi French: Language, Temporalities, Transfiliations. Liverpool: Liverpool UP, 2017.

Alvaro Luna

Volume 42 • Issue 2 • 2018

Courtney Sullivan. The Evolution of the French Courtesan Novel: From Chabrillan to Colette. London: Palgrave Macmillan Publishers, 2016.

Zoe Petropoulou

Volume 42 • Issue 2 • 2018

David Ohana. Albert Camus and the Critique of Violence. Trans. David Maisel. Brighton: Sussex Academic Press, 2017.

Melissa Ptacek

Volume 42 • Issue 2 • 2018

Oana Panaïté. The Colonial Fortune in Contemporary Fiction in French. Liverpool: Liverpool UP, 2017.

Nanar Khamo

Volume 42 • Issue 2 • 2018

Michèle Anne Schaal. Une troisième vague féministe et littéraire: les femmes de lettres de la nouvelle génération. Leiden/Boston: Brill, 2017.

Anna Rocca

Volume 42 • Issue 2 • 2018

Emilio Peral Vega. Pierrot/Lorca: White Carnival of Black Desire. London: Tamesis, 2015.

Enrique Álvarez

Volume 42 • Issue 2 • 2018

Kathryn A. Kleppinger. Branding the 'Beur' Author: Minority Writing and the Media in France, 1983-2013. Liverpool: Liverpool UP, 2015.

Christopher Ice

Volume 42 • Issue 2 • 2018

Hester Baer and Alexandra Merley Hill, eds. German Women’s Writing in the Twenty-First Century. Rochester: Camden House, 2015.

Brigitte Rossbacher

Volume 42 • Issue 2 • 2018

Peter Kalliney. Modernism in a Global Context. London: Bloomsbury, 2016.

Kevin C. Robbins

Volume 42 • Issue 2 • 2018

Nicole Simek. Hunger and Irony in the French Caribbean: Literature, Theory, and Public. New York: Palgrave Macmillan, 2016.

Jennifer Boum Make

Volume 42 • Issue 2 • 2018

Javier García Liendo. El intelectual y la cultura de masas. Argumentos latinoamericanos en torno a Ángel Rama y José María Arguedas. West Lafayette: Purdue UP, 2017.

Fernando Fonseca Pacheco

Volume 42 • Issue 2 • 2018

Jane Hiddleston. Writing After Postcolonialism: Francophone North African Literature in Transition. London: Bloomsbury Academic, 2017.

Beatrice Guenther

Volume 42 • Issue 2 • 2018

Paulina Palmer. Queering Contemporary Gothic Narrative 1970-2012. London: Palgrave Macmillan, 2016.

Tanya Gonzalez

Volume 42 • Issue 2 • 2018

Patricia L. Swier and Julia Riordan-Goncalves, eds. Dictatorships in the Hispanic World: Transatlantic and Transnational Perspectives. Madison, NJ: Fairleigh Dickinson UP, 2013

Bécquer Seguín

Volume 42 • Issue 2 • 2018

Margaret McCarthy. Mad Mädchen: Feminism and Generational Conflict in Recent German Literature and Film. New York: Berghahn Books, 2017.

Bridget Swanson

Volume 42 • Issue 2 • 2018

Anthony Paraskeva. Samuel Beckett and Cinema. London: Bloomsbury, 2017.

Katarzyna Peric

Volume 42 • Issue 2 • 2018

Paul Cuff. Abel Gance and the End of Silent Cinema: Sounding Out Utopia. Palgrave Macmillan, 2016.

Margaret C Flinn

Volume 42 • Issue 2 • 2018

Lucille Cairns. Francophone Jewish Writers: Imagining Israel. Liverpool: Liverpool UP, 2015.

Alessandra Benedicty-Kokken

Volume 42 • Issue 2 • 2018

Rachel Seelig. Strangers in Berlin: Modern Jewish Literature Between East and West, 1913-1933. Ann Arbor: U of Michigan P, 2016.

Adam J Sacks

Volume 42 • Issue 2 • 2018

Sylvie Blum-Reid. Traveling in French Cinema. New York: Palgrave Macmillan, 2016.

Anne V. Cirella-Urrutia

Volume 42 • Issue 2 • 2018

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