Volume 20 • Issue 2 • 1996


Introductory Materials

Front matter, vol. 20, issue 2

Volume 20 • Issue 2 • 1996

Introduction: The Object in France Today

Martine Antle

Volume 20 • Issue 2 • 1996

Articles

The Disappearance of Objects in "Surmodernity": From Object-images to Meta-objects

Dominique D. Fisher

Volume 20 • Issue 2 • 1996

From Iron to Glass: Transparency and Pluralism

Maryse Fauvel

Volume 20 • Issue 2 • 1996

Combas & Co. or the Figure and the Great Divide

Monique Yaari

Volume 20 • Issue 2 • 1996

What's Behind the Billboard: Dead Men and Private Parts. Object? Sign? Thing?

Peter Schofer

Volume 20 • Issue 2 • 1996

Fashion, Bodies, and Objects

Jean-François Fourny

Volume 20 • Issue 2 • 1996

Body / Antibody

Lawrence R. Schehr

Volume 20 • Issue 2 • 1996

The Fictions of Surrealism

Walter A. Strauss

Volume 20 • Issue 2 • 1996

Reading in Colette: Domination, Resistance, Autonomy

Laurel Cummins

Volume 20 • Issue 2 • 1996

Subverting the Dominant Order: Narrative as Weapon in Simone de Beauvoir's Tous les hommes sont mortels

Barbara Klaw

Volume 20 • Issue 2 • 1996

Border Crossings in Maríe Redonnet's Splendid [Seaside] Hôtel

Elizabeth A. Mazza-Anthony

Volume 20 • Issue 2 • 1996

Addressing Success: Fame and Narrative Strategies in Colette's La Naissance du jour

Juliette M. Rogers

Volume 20 • Issue 2 • 1996

Book Review

Reviews of recent publications

Volume 20 • Issue 2 • 1996

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